| The “fabulous El?na Garan?a […] sings beautifully and emotionally restrained, leaving the audience deeply moved during her dying scene”, while Matthew Polenzani, in his debut as Fernand, scores with superb singing and acting, “reaching high tones with ease ” (S?ddeutsche Zeitung). Mariusz Kwiecie? “convinces with the proper dandified arrogance and impressive acting”, while conductor Karel Mark Chichon completes the musically fantastic performance by “getting the most out of the Bayerische Staatsorchester, impressively bringing out the dark, viscous sounds of the score and following the soloists with great intuition.” (BR Klassik) |
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